tag:blogger.com,1999:blog-13630144.post114101090060676530..comments2023-12-04T09:29:06.375-08:00Comments on Casa Valdez Studios: More Barry Harris diminished subsDavid Carlos Valdezhttp://www.blogger.com/profile/02338319345488366328noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-13630144.post-46997087859894279612008-01-03T21:55:00.000-08:002008-01-03T21:55:00.000-08:00Poor Anonymous! It's funny, I was just looking th...Poor Anonymous! It's funny, I was just looking through a fairly good book from Hal Leonard about Miles' music, where the author talks about these minor third substitutions. A tritone sub is just one flavor of these. It's always interesting to check out the third and seventh pairs. You have for G7, Bb7, Db7, and E7, {B,F}, {D, Ab}, {F,B} and {G#(Ab), D} Only two pairs, which are either the thirds and sevenths or fifths and flat nines. Great stuff!MonksDreamhttps://www.blogger.com/profile/01925609181536862036noreply@blogger.comtag:blogger.com,1999:blog-13630144.post-1142225740984557482006-03-12T20:55:00.000-08:002006-03-12T20:55:00.000-08:00Your "symmetrical" link above is dead.Your "symmetrical" link above is dead.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-13630144.post-1141082633473998032006-02-27T15:23:00.000-08:002006-02-27T15:23:00.000-08:00This is great stuff David! Thanks for the links. I...This is great stuff David! Thanks for the links. It somewhat reminds me of some of Pat Martino's concepts with viewing the diminished 7th as a main chord as well - deriving the other chords.Anonymousnoreply@blogger.com