tag:blogger.com,1999:blog-13630144.post115561862561779476..comments2023-12-04T09:29:06.375-08:00Comments on Casa Valdez Studios: On Rich Perry's conceptDavid Carlos Valdezhttp://www.blogger.com/profile/02338319345488366328noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-13630144.post-58830812214152777932014-09-07T10:02:38.616-07:002014-09-07T10:02:38.616-07:00Having been blessed to share the bandstand and rec...Having been blessed to share the bandstand and record with Rich over the years, I can say his lines always give the dual sense of 'surprise' and 'inevitability'. Thanks for the insight!Anonymoushttps://www.blogger.com/profile/06729361405438944580noreply@blogger.comtag:blogger.com,1999:blog-13630144.post-85057007852559558652011-09-24T10:32:59.389-07:002011-09-24T10:32:59.389-07:00Really late to the party here, but I think Jon has...Really late to the party here, but I think Jon has it right when it comes to Rich's idea of resolutions. I've been working on similar things. As far as the altered tension and their resolutions, here is how I think of it. <br /><br />G7->C<br />b9->5 (Ab->G)<br />#9->6 (Bb->A)<br />b5/#11->9 (C#->D)<br />b13->9 (Eb->D)<br /><br />And, of course, the common 7->3 (F->E) as well...Gregory Dudzienskihttps://www.blogger.com/profile/17923573709084439967noreply@blogger.comtag:blogger.com,1999:blog-13630144.post-87511062287965055562009-03-13T14:00:00.000-07:002009-03-13T14:00:00.000-07:00David,I like your spectrum of tensions over the V ...David,<BR/><BR/>I like your spectrum of tensions over the V chord. I don't think that's what is meant by be-bop resolutions. The resolutions are how you connect the V7 and the I chord. Here's how I perceive it.<BR/><BR/>The fist vertical list show the movement by scale step and the second shows pitch names. The resolutions are the glues between the chords. The tension and release.<BR/><BR/>b5=>1--- Db => C<BR/>b9=>5--- Ab => G<BR/> 9 => 5 --- A => G <BR/> 3 => 1 --- B => C<BR/> 5 => 1 --- D => C<BR/> 7 => 3 --- F => E<BR/> V => I --- G7 => CMaj7<BR/><BR/>I could be dead wrong, but what's right and wrong anyway. Of course there are many more resolutions but these are some of the basic ones.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-13630144.post-62845313329426955012006-11-30T11:44:00.000-08:002006-11-30T11:44:00.000-08:00Tim,
We're talking about dominant resolutions her...Tim,<br /> We're talking about dominant resolutions here. This means any V7 that moves down a fifth in root motion (doesn't matter what chord quality it goes to). On any V7 that moves down a fifth you may play any of the common dominant chord/scales .<br /><br />Here they are, from less alterations to more:<br /><br />#11 up a fifth melodic min<br />b13 up a fourth melodic min <br />b9,#9 down a whole step melodic -<br />b13,#11 whole-tone from root<br />b9,b13 up a 4th harmonic minor<br />#9,#11,b13 up a -3rd melodic min<br />b9,#9,#11 diminished up a 1/2 step<br />b9,#9,#11,b13 up 1/2step melodic -David Carlos Valdezhttps://www.blogger.com/profile/02338319345488366328noreply@blogger.comtag:blogger.com,1999:blog-13630144.post-31733261911331538972006-11-29T22:45:00.000-08:002006-11-29T22:45:00.000-08:00David,
I have been working a great deal on resolv...David,<br /><br />I have been working a great deal on resolving notes per the ideas in this and others threads on your blog. What are some common bebop resolutions other than #9-b9?<br /><br />Thanks,<br />TimTimhttps://www.blogger.com/profile/16582950224537687668noreply@blogger.com