tag:blogger.com,1999:blog-13630144.post3598148531566506570..comments2023-12-04T09:29:06.375-08:00Comments on Casa Valdez Studios: Formulas for finding altered pentatonic scales to fit diatonic chords of melodic minorDavid Carlos Valdezhttp://www.blogger.com/profile/02338319345488366328noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-13630144.post-82063169386218803602014-03-04T12:42:41.343-08:002014-03-04T12:42:41.343-08:00So for an F7#11 chord you would use the b3 pent up...So for an F7#11 chord you would use the b3 pent up a fifth, so a C flat 3rd pent.<br /><br />If you wanted to find the b6 pent for a F-Maj7 chord you'd use the b6 pent up a 5th from the root, or an F b6 pent. Make sense? Sorry there was no explanation for this post.David Carlos Valdezhttps://www.blogger.com/profile/02338319345488366328noreply@blogger.comtag:blogger.com,1999:blog-13630144.post-14179645642398968232014-03-04T07:37:45.423-08:002014-03-04T07:37:45.423-08:00Which of these forms needs to be shifted? For exam...Which of these forms needs to be shifted? For example the F-maj7, if I shift either of them up a 5th, I'll get an A Natural. Thanks a lot!Anonymoushttps://www.blogger.com/profile/04184742845681101117noreply@blogger.com