tag:blogger.com,1999:blog-13630144.post4457025815179237509..comments2023-12-04T09:29:06.375-08:00Comments on Casa Valdez Studios: Analysis of Bill Evans' Very Early- by Pere SotoDavid Carlos Valdezhttp://www.blogger.com/profile/02338319345488366328noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-13630144.post-4164310566851222292013-07-11T18:11:10.669-07:002013-07-11T18:11:10.669-07:00Forgot to check off getting followup comments...Forgot to check off getting followup comments...Barryhttps://www.blogger.com/profile/01260123969691393308noreply@blogger.comtag:blogger.com,1999:blog-13630144.post-90194811077361544532013-07-11T18:09:59.322-07:002013-07-11T18:09:59.322-07:00This is great website, appreciated.
The link to t...This is great website, appreciated.<br /><br />The link to this analysis doesn't work for me, but it can be seen here also:<br />http://www.scribd.com/doc/137392933/Veru-Early-Veru-early<br /><br />Some things on this analysis just don't make sense to me. For example at bar 9 A-7 is shown as a VI-7 chord, but is considered to be in the same key of the moment as the preceding D major. But the VI-7 chord of D major is B-7.<br /> At bar 21 the Bb7(13) is described functionally as V7, but the next chord, which is shown as in the same key of the moment, is B major. How is that?Barryhttps://www.blogger.com/profile/01260123969691393308noreply@blogger.com