Tenor Conclave solos & analyses

Saxophonist/educator Jeff Rzepiela has a lot of great material on his scooby-sax.com site. Here are his transcriptions and analyses from the Tenor Conclave recording that featured Coltrane, Zoot Sims, Al Cohn and Hank Mobley. Talk about Four Brothers!

Tenor Conclave transcriptions & analyses

Joe Locke's Sateilite- solo and analysis

Here is another great post from Ed Saindon's All Thing's Vibraphone blog, it's vibraphonist Joe Locke playing Trane's Satellite in a practice session. The solo was transcribed and analyzed by pianist Gustavo Agatiello. Joe plays the shit out of this tune.

Joe Locke's Sattellite

Ed Saindon's Improv Concepts

Ed Saindon, a Berklee professor and regular Casa Valdez contributor, presented this short clinic at the Berklee Summer Performance Program on July 8th, 2011. 

Topics covered in the clinic: 

• Tension Resolution
• Four Note Groupings
• Major 7th #5 Superimposition

The first and second solos use Ed's "Tension Resolution" concept, and are based on the standards "All The Things You Are" & "Stella By Starlight". 

The third solo uses Ed's "Four Note Groupings" concept, and is based on the standard "I Love You".

The fourth solo uses Ed's "Major 7 #5 Superimposition" concept, and is based on the standard "Stella By Starlight".

Here are the written solos:

Improv Concepts

Ed Saindon's blog

Airturn Bluetooth Foot Pedal Board

Airturn recently sent me their new foot pedal board. Basically what they've done is to mount two foot switches and their Bluetooth transmitter to a plexiglass board so that the switches don't slide around on the floor as you use them. This was my biggest gripe with the Airturn foot pedals before.....you constantly had to adjust their positions, which was a major drag.

 The second generation Airturn pedals seem to be made a little better than the first ones were. I like the positive response of the Airturn pedals and compared to the Cidada pedals, which I recently reviewed here, there is little chance that your foot will accidentally trigger the switches. I voiced my concerns about the mushy feel of the Cicada to the designer and his response was that they were also designing the pedals for the handicapped and they wanted to make the pedals very easy to depress because of this. The Airturn switches do not have much travel (unlike the Cicada pedals) and you really need to consciously push your foot down to trigger them, which I find helpful and I was having problems with unintended page turns when using the Cicada pedals.

Here's what Hugh Sung, Airturn's designer, had to say about his new product:

Dear David,

If you haven't received our new ATFS-2 pedal board, you should be getting it very soon.  We hope you enjoy trying it out!  The ATFS-2 is designed to be absolutely quiet in operation, aiming to be the most silent consumer foot switch on the market.  This is thanks to the fact that aside from the hinge, there are no moving mechanical parts - no squeaky hinges, no clicking switches, thanks to our unique switch design that uses a rare earth neodymium magnet and a rhodium reed switch, both of which are embedded in the body of the plastic.  I'm sure you'll appreciate this when you have to use it in professional recording situations that require the elimination of all external noises. 

By the way, did you know that the BT-105 is capable of toggling on the iPad's virtual keyboard?  Most other external keyboard devices force the iPad's virtual keyboard to hide by default, but with the BT-105, once you are in a compatible app's text entry field, just toggle the power button, and you should see the virtual keyboard appear.  You can then continue to use the virtual keyboard and turn pages with the BT-105.  If you accidentally hide the virtual keyboard, just toggle it back on with the BT-105's power switch again.  Here's a quick video tutorial demonstrating the BT-105's virtual keyboard feature:
http://airturn.com/bt-105-faqs/using-the-ipads-virtual-keyboard-with-the-bt-105-v-122

The BT-105 is also capable of multiple keyboard profiles.  That means that you can change the keyboard output for different programs and applications.  In iPad mode, the BT-105 sends up and down arrow keys.  In PC mode, the BT-105 will send Page Up and Page Down keys.  Two other modes will send specific number keys and another set of keys specifically for applications in the disabilities market.  We've tried to make the BT-105 a universal device with applications far beyond page turning - we've already partnered with developers making apps for Teleprompting and audio track triggering, even one for looping (coming soon!)  If you'd like to try out some of the other profiles, you'll find the instructions in the manual that should be included with your BT-105.  Another subtle feature of the BT-105 is the way that it pairs automatically and displays its unique serial ID.  Most other external Bluetooth page turning devices require the manual entry of a passkey code.  Thanks to the BT-105's use of Bluetooth protocol 2.1 + EDR (the latest version of Bluetooth), it's able to pair automatically with the iPad without the need for passkey entry.  It also allows for the unique serial number to be displayed in the iPad's Bluetooth device settings.  If you ever have to work with multiple musicians all using iPads and their own BT-105s, you'll quickly see why this is so important - you can quickly and easily identify which BT-105 belongs to which iPad, since each device's unique serial number will show its connection status to any given iPad. 

Lastly, we hope you enjoy our new pedal board design.  While the BT-105 was designed to be a modular system, with the ability to use one or both pedals for page turns (I typically only use one pedal in performance, since I design my music to only require forwards page turns - this is to prevent accidentally turning backwards), we've been finding that most customers prefer using both pedals all the time.  The pedal board keeps all your equipment together in a sturdy base, with extra bumpers on the bottom for a non-slip grip on the floor.

 I've taken the new Airturn pedal board out for a spin on a few gigs was quite happy with how it performed. I didn't have any issues with accidental page turns, the pedals felt like they were in optimal positions and my foot was able to stay in a comfortable position. The pedals makes no noise whatsoever when you use them and they look unobtrusive on stage. I actually gave my Cicada foot pedal unit to my buddy because I was sure that I'd never go back to using it as long as I had the Airturn unit. The Airturn pedal board unit retails for $129.

Airturn BT-105 Foot Pedals